Chronicled by
Afronuts
@
Friday, March 08, 2013
Just last month I did an entry on
Rihanna's disturbing perfume commercial and I highlighted a number of things
that have become synonymous with today's entertainment abroad. By now it won't
be news that disturbing stuff have started appearing in Nigerian music videos
today; every day we are bombarded by music and videos that throw odd visuals in
our faces successively with every airplay until we are BRAINWASHED into accepting
them as ordinary every day videos. Meanwhile our first response was ‘What the
heck was that all about?’
I recently viewed by accident a video
by rap artiste Olamide who seemed to have filled the gap the late rapper Dagrin
left behind. The video was for the song ‘Voice
of the Streets’. Actually I should have started with an earlier video done
for another song by Olamide titled ‘Ilefo
Illuminati’. But I just didn’t want to waste my time as I felt it was just
a publicity stunt to gather attention around the song, video and artiste.
Everybody I’ve come across seems not to have a clue what the title of the song
was about. Apart from that, the rest of the song’s lyrics seem to border on a
typical theme that Naija artistes are fond of always focusing on – self edification
and the daring of all haters. This is characterized by all the bragging swag
exhibited throughout the song.
In ‘Voice of the streets’ it’s the same kind of bragging that resonates
all through. In both songs he seems to be speaking out against detractors who
are against his progress; while ‘Ilefo Illuminati’
echoes his defiance against the illuminati (I don’t know why he had to do that),
‘Voice of the streets’ just rambles
on at no particular person but detractors in general. From that kind of title
one would expect more – like a rebel against societal injustice.
 |
Striking similarities between Olamide & The Game's videos
(Click to enlarge & view) |
While his ‘illuminati’ video (obviously
a copycat of The Game’s disturbing ‘Martians vs Goblins’ video) managed to dramatize
the lyrics of the song, the video for ‘Voice of the streets’ takes a rather
disturbing turn that made me wonder if Olamide was just high on something when
writing his lyrics and when shooting the video. (Somebody once told me that he
now uses drugs of stimulants for his aggressive performances. I don’t know how
true this is though).
‘Voice
of the streets’ is weird in the sense that it tries to mix violence
disposition with saintliness. For the first part of the video, we see images of
a violent Olamide on the streets destroying stuff with thugs in some cases and
then in the second part we see him assuming some saintly role as a monk
surrounded by fellow devotees in red cloaks. Later on we would see him and his
weird and ghostly looking devotees with blood-colored teardrops falling down their cheeks.
I don’t know why he had to repeat the
part of the lyric that chanted the Guru Maharaji metaphor at the beginning up
to three times and also feature people in red cloaks before red candles in some
eerie gothic church. And with all these he reiterates lines like;
Moni mo
lati lowo (I must become wealthy)
mo de
ni mo lati fly (And I have to soar)
Mo ni
mio ni se ogun owo (I can’t
do ‘jazz’ money)
Mio de
ni gbe ebo lo si shrine (I can’t do
sacrifices at a shrine)
I be
bad boy and i dey go church and I dey try
And somewhere in the beginning we hear him say:
I only
look up to God
 |
| Gothic looking church |
You hear him make efforts to sound as
though he has a ‘church mind’ but then go ahead and conflict it with
questionable lines as seen below:
O mo pe
Jesu loba (You know
that Jesus is King)
Oloun
pray kin wa sober (Pray that I
get sober)
Won npe
mi lomo esu (They
call me devil’s child)
shey
you see am for my head? (Is it written on my head?)
Oye kin
nwa ni Kirikiri now ballin a crime (I should be in kirikiri prison serving time)
The visuals we see in this video is
kind of too deep and disturbing for the lyrics. Despite the showcasing of
church background, crucifixes, candles and paintings of Jesus, it still comes
across as disturbing. In fact a number of people who viewed it said it was ‘demonic’.
 |
| Olamide the monk and red candles |
 |
| Devotees come to kneel before him |
Could Olamide have intended it to be a
simple street wise video but was influenced by some creative person’s dark
input? The video reminds me of Kanye West’s ‘Jesus Walks’ which seemed to be a rap with religious vibe but
unknown to many, it actually wasn’t and it had demonic subliminals in it.
Shooting a video is a whole big deal.
You can sing a cute pure song and your video can distort its message and make
it look evil with the nature of its visuals. I would have said the same for Olamide
had not his lyrics been a contradictory mix of violent personality and displays
with saintly and Holy references.
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