Naija DJs and the Struggle to Stay Relevant
Chronicled by
Afronuts
@
Thursday, March 24, 2016
It was yesterday afternoon and I was in the studio at my
office discussing with one of our contract sound engineers when Bunmi, one of
our Account Management ladies walked in to sort out a couple of issues with the production unit.
Now Bunmi wasn’t just a corporate employee but also a part
time disc jockey who goes by the name DJ Baldie. Her trademark look is her
smooth clean shaven head which sits well with her stage name.
Bunmi is a heavily social person and always liked to groove
so I wasn’t surprised when she walked up to Daniel the Sound Engineer/Producer
and jokingly asked if he could produce a single for her. We all laughed
wondering what on earth she was getting at until she decided to strut what she
could do and told Daniel to play Asa’s ‘Jailer’ on the keyboards while she covered
the song.
Daniel hit the keys and Bunmi started singing…and she wowed
everybody!
Then it suddenly hit me – Bunmi is a DJ and she can sing.
Okay…where am I going with this?
It’s no longer a new thing to see so-called popular Naija
DJs releasing videos of singles and crediting themselves as performers or
artistes that own the track.
This trend apparently started eight years back with DJ Jimmy
Jatt’s release of the track ‘Stylee’ which featured Tuface, Mode 9 and Elajoe.
Watching the video or listening to the music you could feel Tuface dominate the
song followed by Mode 9 and Elajoe. The element that showed that DJ Jimmy Jatt
was relelvant was his ad-libbing call-outs, intermittent disc scratching and
outro at the end of the song.
So if we ask the question, was DJ Jimmy Jatt relevant in the
song? Maybe…if we at look at the call outs and most importantly the
disc-scratching, then he did make himself relevant.
But how long will that be evident?
Years later Jatt would release more singles or videos where
his elements of relevance are reduced to just calls-outs. No more
disc-scratching. Other DJs would eventually spring up to do the same and today
we have them all over the place in the likes of DJ Neptune, DJ Xclusive, DJ
Spinall, DJ Shabsy, DJ Enimoney, DJ Humility to mention a few.
Above: DJ Jimmy Jatt & Wizkid Below: DJ Neptune & Olamide |
I’m still struggling to understand WHY DJs release these
videos and singles…okay, it’s weird saying they ‘released’ when in actual fact
they are not the real talent performing the songs being released. Just check
out any video credited to any Naija DJ, you’ll discover that they end up being
the ‘waka-pass’, 'background dancer’ or ‘background demonstrator’. Imagine if
you had to perform the track before a live audience, then you would need the
artistes you used to come on board making it look like they own the song and
not you.
Above: DJ Spinall & Timaya Below: DJ Shabsy with Kiss Daniel, Sugarboy and some dude |
Okay, let’s raise the argument that our DJs’ relevance would
be in contributing to the song’s beat (as some DJs happen to be creating beats
as well – wow!).
So what about the ace producers who are not DJs but are the
brains behind beats and instrumentation for songs that become a hit? Unless the
producer himself also performs like you see in the case of Don Jazzy and
Masterkraft (Yes! I said Masterkraft…check him out on Coke Studio and the video‘Indomie’), most of them don’t dabble into unnecessary showcasing like these DJs.
Above: DJ Xclusive & Wizkid Below: DJ Enimoney & Olamide |
Me thinks DJs dropping stuff and crediting themselves when
they aren’t the artiste will never shine like artistes unless they train
themselves to do something new that will require a performance. Take for
example American DJ Quik who is not just a DJ but also a producer, actor and
rap artiste – now that’s serious relevance. We’re in an age where if you don’t
upgrade yourself, you’re gonna fade into obscurity. It’s not by appearing in a
video that makes you relevant or by crediting your name to a work that shines
on an artiste and not you.
DJ Quik |
I once asked a colleague about a certain song I was trying to
remember and she said ‘You mean the Kiss Daniel song?’ I nodded and she told me
it was titled ‘Rabba’. Then I reminded her that it was credited to a DJ. She couldn’t
remember. Maybe if DJ Shabsy could do something like sing or rap she might have remembered him.
So Naija DJs…upgrade yourselves and stop doing waka-pass in videos
that give the glory to someone else but is credited to you….abeg!
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